Scenes were so embarrassing that they also confirmed Evans’ later, r efreshinglyĬandid evaluation of his thespian ability: By the end of the fifties, he was Title of the memoir of the future Paramount production head. Zanuck’s abruptĭismissal of the idea-“The kid stays in the picture”-might have furnished the Members joined with the novelist in insisting he needed to go. Yet Evans' daily rushes were so bad that other cast Lobby of a New York hotel, thought he would be great as Hemingway’s braveīullfighter, Pedro Romero.
Him to play her husband, Irving Thalberg, in Man of a Thousand Faces-continued, as Zanuck, observing him in the Had liked the good-looking youth at the poolside of a hotel enough to suggest Her head was down."Īs for Robert Evans, the lucky streak that began earlier in the year-when Norma Shearer Our lips were tight together and then she turned away and pressedĪgainst the corner of the seat, as far away as she could get. Showed in the bright light of the flares. Brett’s face was white and the long line of her neck The street was torn up and men were working on the car-tracks by the It was dark, then I saw her face clearly as we came out on the Avenue de I saw her face in the lights from the open shops, then We were sittingĪpart and we jolted close together going down the old street.
Lighted bars and late open shops on each side of the street. Etienne du Mont, went smoothlyĭown the asphalt, passed the trees and the sanding bus at the Place de laĬontrescarpe, then turned onto the cobbles of the Rue Mouffetard.
Then leveled out onto a dark street behind St. Up the hill, passed the lighted square, then on into the dark, still climbing,
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